Containing:
1) The VLF Story
2) VLF Sounds Description
3) Text of the WR-3/3E VLF Receiver Listener's Guide (receiver specs. and operating information removed)
4) Miscellaneous discussions/FAQ's with other VLF listeners and those interested, gleaned from my e-mail files (e-mail address removed for e-privacy). This section will continue to expand over time.
Secondly, there have been many findings since the classical "magneto-ionic duct theory" pertaining to whistler generation was developed by R. Heliwell in the late 1950's. This has to do with the travel of whistler-mode electromagnetic waves along magnetic lines-of-force from the source lightning stroke to the opposite hemisphere to be heard as a "one-hop whistler." Conjugate points were thought to be rather fixed, but anecdotal observations by listeners such as myself and also more detailed scientific studies and analysis of whistler-mode waves tell give a much more dynamic picture of Earth's magnetic-field. Please refer to the section about this and Kimura's writing further down in this piece. - S. P. McGreevy, 12 October 1997
Relatively few people know of (and even fewer have heard) the beautiful radio "music" produced naturally by several processes of nature including lightning storms and aurora, aided by events occurring on the Sun. I have been fascinated with listening to naturally-occurring radio signals since about the middle of 1989, hearing my first whistlers almost immediately after first trying out a rudimentary receiving apparatus I had put together for the occasion.
Whistlers, one of the more frequent natural radio emissions to be heard, are just one of many natural radio "sounds" the Earth produces at all times in one form or another, and these signals have caught the interest and fascination of a small but growing number of hobby listeners and professional researchers for the past four decades.
"Natural Radio," a term coined in the late 1980's by California amateur listener and researcher Michael Mideke, describes naturally-occurring electromagnetic (radio) signals emanating from lightning storms, aurora (The Northern and Southern Lights), and Earth's magnetic-field (the magnetosphere).
The majority of Earth's natural radio emissions audible with ground-based radio receivers occur in the extremely-low-frequency and very-low-frequency (ELF/VLF) radio spectrum - specifically, at AUDIO frequencies between approximately 100 to 10,000 cycles-per second (0.1--10 kHz). Unlike sound waves which are vibrations of air molecules that our ears are sensitive to, natural radio waves are vibrations of electric and magnetic energy (radio waves) which - though occurring at the same frequencies as sound - cannot be listened to without a fairly simple radio receiver to convert the natural radio signals directly into sound.
Whistlers are magnificent sounding bursts of ELF/VLF radio energy initiated by lightning strikes which "fall" in pitch. A whistler, as heard in the audio output from a VLF "whistler receiver," generally falls lower in pitch, from as high as the middle-to-upper frequency range of our hearing downward to a low pitch of a couple hundred cycles-per-second (Hz). Measured in frequency terms, a whistler can begin at over 10,000 Hz and fall to less than 200 Hz, though the majority are heard from 6,000 down to 500 Hz. Whistlers can tell scientists a great deal of the space environment between the Sun and the Earth and also about Earth's magnetosphere.
The causes of whistlers are generally well known today though not yet completely understood. What is clear is that whistlers owe their existence to lightning storms. Lightning stroke energy happens at all electromagnetic frequencies simultaneously--that is, from "DC to Light." Indeed, the Earth is literally bathed in lightning-stroke radio energy from an estimated 1,500 to 2,000 lightning storms in progress at any given time, triggering over a million lightning strikes daily. The total energy output of lightning storms far exceeds the combined power output of all man-made radio signals and electric power generated from power plants.
Whistlers also owe their existence to Earth's magnetic field (magnetosphere), which surrounds the planet like an enormous glove, and also to the Sun. Streaming from the Sun is the Solar Wind, which consists of energy and charged particles, called ions. And so, the combination of the Sun's Solar Wind, the Earth's magnnetosphere surrounding the entire Planet, and lightning storms all interact to create the intriguing sounds and great varieties of whistlers.
How whistlers happen from this combination of natural solar-terrestrial forces is (briefly) as follows: Some of the radio energy bursts from lightning strokes travel into space beyond Earth's ionosphere layers and into the magnetosphere, where they follow approximately the lines-of-force of the Earth's magnetic field to the opposite polar hemisphere along "ducts" formed by ions streaming toward Earth from the Sun's Solar Wind. Solar-Wind ions get trapped in and aligned with Earth's magnetic field. As the lightning energy travels along a field-aligned duct, its radio frequencies become spread out (dispersed) in a similar fashion to light shining into a glass prism. The higher radio frequencies arrive before the lower frequencies, resulting in a downward falling tone of varying purity.
In this manner, a whistler will be heard many thousands of miles from its initiating lightning stroke--and in the opposite polar hemisphere! Lightning storms in British Columbia and Alaska may produce whistlers that are heard in New Zealand. Likewise, lightning storms in eastern North America may produce whistlers that are heard in southern Argentina or even Antarctica. Even more remarkably, whistler energy can also be "bounced back" through the magnetosphere near (or not-so-near) the lightning storm from which it was born! There will be additional discussion of this "theory of whistlers" in the next few pages.
Considered my many listeners to be the "Music of Earth," whistlers are amongst the accidental discoveries of science. In the late 19th century, European long-distance telegraph and telephone operators were the first people to hear whistlers. The long telegraph wires often picked up the snapping and crackling of lightning storms, which was mixed with the Morse code "buzzes" or voice audio from the sending station. Sometimes, the telephone operators also heard strange whistling tones in the background. They were attributed to problems in the wires and connections of the telegraph system and disregarded.
The first written report of this phenomenon dates back to 1886 in Austria, when whistlers were heard on a 22-km (14 mile) telephone wire without amplification. A paper by W.H. Preece (1894) appearing in Nature Magazine describes operators at the British Government Post Office who listened to telephone receivers connected to telegraph wires during a display of aurora borealis on March 30 & 31, 1894. Their descriptions suggest they heard whistlers and the "bubbling/murmuring" sounds of "Chorus" from aurora.
During World War I, the Germans and Allied forces both employed sensitive audio-amplifiers to eavesdrop on the enemy's telephone communications. Metal stakes were driven into the ground next to enemy telephone wires and were connected to tube-type high-gain amplifiers, whereby the audio signal in the telephone wires could be eavesdropped. This early form of electronic espionage worked fairly well most of the time, despite the bubbling and crackling background noise made by lightning--but not always.
On some days, the telephone conversations they were eavesdropping on were partially or wholly drowned out by strange whistling sounds. Soldiers at the front would say, "you can hear the grenades fly." These whistling sounds, described as sounding almost like "piou," were at first attributed to the audio amplifiers' circuitry reacting adversely to strong lightning discharge noises. When laboratory tests on the high-gain audio amplifiers failed to recreate the whistling sounds, the phenomena was then considered "unexplainable" at that time. (H. Barkhausen, 1919).
In 1925, T. S. Eckersly of the Marconi Wireless Telegraph Company in England, described disturbances of a musical nature that had been known to "radio" engineers for many years. They were heard when a telephone or any other "audio-recorder" system was connected to a large aerial. What they were hearing are now known as "tweeks," a common ringing and pinging sound that lightning discharge radio energy (sferics) atmospherics sound like at night with a VLF receiver or audio amplifier. Several people began to observe how lightning and auroral displays coincided with many of the strange sounds they were hearing with their audio apparatus (Barkhausen, Burton, Boardman, Eckersly, et al.).
In the 1930's, the relationship of whistlers and lightning discharges was hypothesized, and in 1935, Eckersly arrived at the commonly accepted explanation that lightning initiated radio waves traveling into Earth's "ionosphere" caused these tweek sounds. They were getting "close." Interest in whistlers waned during World War II but was renewed with the development of sound spectrographs and spectrum analyzers, which could trace the time-versus-frequency component of audio sounds. This technology was developed mainly for the study of the sound characteristics of speech and other sounds, but these also were fine tools for the exploration of whistlers, as well (R. K. Potter, 1951).
It was during this time that L.R.O. Story in Cambridge, England, had begun an in-depth investigation into the nature and origin of whistlers. Armed with information presented by Barkhausen, Boardman, et al., a homemade spectrum analyzer and other audio- frequency radio equipment, Storey studied whistlers in earnest, discovering several types of whistlers that were or were not audibly associated with lightning discharge "clicks" in the receiver. He was able to make graphs of many kinds of whistlers, forming the basis of the modern "magneto-ionic" theory of their origin, and also the effects of Earth's magnetic storms on whistlers.
Storey's conclusion that whistlers were formed by lightning discharge energy echoing back and forth along the lines-of-force of earth's magnetic field suggested that there was a much higher than expected ion density in the outer ionosphere and beyond, and that the source of this "extra" ionization was linked to the sun. He also (correctly) presumed these ions from the sun also were responsible for magnetic storms and auroral displays. Story, while mainly concentrating on whistlers, was able to hear and categorize a number of other audio-frequency emissions that he heard, including Dawn Chorus, steady hiss, and certain "rising whistlers," also known as "risers".
Story's studies throughout the early-to-mid 1950's made an important contribution to whistler theory by showing that whistlers travel very nearly in the direction of Earth's magnetic field. In 1952, the results of Storey's work were presented by J. A. Radcliffe to the Tenth General Assembly of the URSI held in Sydney Australia, exciting considerable interest among the delegates in attendance. Radcliffe's report greatly stimulated whistler research at Stanford University, headed by the "Father of Whistler Research," R. A. Helliwell.
In 1954 at the next URSI General Assembly held in the Hague (Netherlands), whistler theory was discussed in depth, and plans were devised to study whistlers at opposite "conjugate" points of Earth's magnetic field. Lightning storm atmospherics observed in one hemisphere were heard as "short whistlers" (1-hop whistlers) in the opposite hemisphere. This notable observation was conducted by Helliwell at Stanford in California and aboard the U.S.S. Atka located in the South Pacific near the opposite magnetic conjugate point. Lightning storms generating atmospheric static "pops" as heard in the ship's onboard VLF receivers were heard nearly simultaneously in Stanford as short whistlers.
Even more verification of Storey's whistler was confirmed by the observation of whistler "echo trains" simultaneously heard in Alaska and in Wellington, New Zealand, which lies at the opposite magnetic conjugate from Alaska. With this generalized history of whistler discovery and research in mind, I should pause this history lesson and now explain whistler theory in somewhat greater detail.
The generally accepted theory of whistlers (Storey, Morgan, Helliwell) is as follows (the following few paragraphs are taken directly from the text of my WR-3 "Whistler Receiver" Listening Guide and repeat some information presented earlier in this article as well as hopefully making clearer some terms I've been tossing about): The Earth's outer magnetic field (the "magnetosphere") envelopes the Earth in an elongated doughnut shape with its "hole" at the north and south magnetic poles. The magnetosphere is compressed on the side facing the Sun and trails into a comet-like "tail" on the side away from the Sun because of the "Solar Wind" which consists of energy and particles emitted from the Sun and "blown" toward Earth and the other planets via the Solar Wind. Earth's magnetosphere catches harmful electrically charged particles and cosmic rays from the Sun and protects life on Earth's surface from this lethal radiation.
Among the charged particles caught in the magnetosphere are ions (electrically charged particles), which collect and align along the magnetic field "lines" stretching between the north and south magnetic poles. These magnetic-field aligned ions bombarding Earth's magnetosphere form "ducts" which can channel lightning- stroke electromagnetic impulse energy. Whistlers result when an electromagnetic impulse (sferic) from a lightning- stroke enters into one of these ion-ducts formed along the magnetic lines of force, and is arced out into space and then to the far-end of the magneto-ionic duct channel in the opposite hemisphere (called the opposite "magnetic conjugate"), where it is heard as a quick falling/descending emission of pure note tone or maybe as a brief "swish" sound.
Whistlers sound the way they do because the higher frequencies of the lightning-stroke radio energy travel faster in the duct and thus arrive before the lower frequencies in a process researchers call "dispersion." A person listening with a VLF receiver like the WR-3 in the opposite hemisphere to the lightning stroke (at the far end of the Magnetospheric duct path) will hear this "short" or "1-hop" falling note whistler. One-hop whistlers are generally about 1/3 of a second to 1 second in duration. If the energy of the initial short/1-hop whistler gets reflected back into the magneto-ionic duct to return near the point of the originating lightning impulse, a listener there with a VLF receiver will hear a "pop" from the lighting stroke impulse, then roughly 1 to 2 seconds later, the falling note sound of a whistler, now called a "long" or "2-hop" whistler.
Two-hop whistlers are generally about 1-4 seconds in duration depending on the distance the whistler energy has traveled within the magnetosphere. One-hop whistlers are usually higher pitched than two-hop whistlers. The energy of the originating lightning stroke may make several "hops" back and forth between the northern and southern hemispheres during its travel along the Earth's magnetic field lines-of-force in the magnetosphere. Researchers of whistlers have also observed that the magnetosphere seems to amplify and sustain the initial lightning impulse energy, enabling such "multi-hop" whistlers to occur, creating long "echo trains" in the receiver output which sound spectacular! Each echo is proportionally longer and slower in its downward sweeping pitch and is also progressively weaker. Conditions in the magnetosphere must be favorable for multi-hop whistler echoes to be heard. Using special receiving equipment and spectrographs, whistler researchers have documented over 100 echoes from particularly strong whistlers--imagine how much distance the energy from the 100th echo has traveled--certainly millions of miles!
Generally, only one to two echoes are heard if they are occurring, but under exceptional conditions, long "trains" of echoes will blend into a collage of slowly descending notes and can even merge into coherent tones on a single frequency, hard to describe here, but quite unlike any familiar sounds usually heard outside of a science-fiction movie!
Back to the history of whistler research. Plans for studying whistlers, chorus, and other audio-frequency natural radio phenomena were formulated by Dr. J. G. Morgan of the University of New Hampshire in Hanover as well as Dr. Helliwell at Stanford, for the International Geophysical Year which would begin in 1957. Over 50 receiving stations were set up at many locations all over the globe, including remote locations in northern Canada, Alaska, Europe including Scandinavia, and even Antarctica. This period was the beginning of the most intensive professional study of whistlers ever.
In the early 1960's, a couple of satellites (IEEE-1, Injun, Allouette) destined for low Earth Orbit were outfitted with VLF receivers. These satellite-based VLF radio receivers successfully recorded whistlers, and greatly enhanced scientific knowledge of natural VLF radio emissions. During the 1970's, space probes, such as Pioneer and Voyager, would discover whistlers happening on other planets of our Solar System, such as Jupiter and Saturn, which both have enormous and powerful magnetospheres. These Gas Giants also have huge magnetospheres and their own polar aurora as well.
The 1980's saw increasing hobbyist and amateur observations of whistlers, thanks to the increasingly easy availability of solid- state electronic parts and VLF receiver construction articles and notes. By 1985, whistler articles and receiver designs would appear in several electronic and radio hobbyist magazines, and also radio club bulletins - most notably, the Longwave Club of America's monthly bulletin, THE LOWDOWN. Several LWCA members including Michael Mideke, Mitchell Lee, Ev Pascal, Ken Cornell, and others, would publish and or design and use their own successful whistler receiver versions. These hobbyist whistler receivers tended to use small loop or wire antennas, unlike the "professional" VLF receivers used during the late 50's and early 1960's, which used very large loop and/or tall vertical "pole" antennas.
One radio "mentor" who sparked my fascination with whistlers and Natural Radio is a gentleman named Michael Mideke, who has been an avid enthusiast involved in various esoteric radio (and non- radio) pursuits since the early 1970's. Mike taught me quite a considerable amount of knowledge about longwave radio receiving and transmitting experimentation at radio frequencies much higher than Natural Radio, and he himself began regularly monitoring Natural Radio about the middle of 1988, more than a year before I would hear my first whistler in the Oregon desert.
For the past 25 years, Mike, his wife Elea, and two sons lived as caretakers on a large ranch in a remote central California canyon, far from electric powerlines. Here, Mike was able to string out antenna wires over thousands of feet in length and running in several different compass directions, and connect them to his plethora of radio receivers. His remote, electrically-quiet location was also ideal for listening to whistlers. Over the years, Mike has also made many hundreds of hours of recordings of amazing radio sounds of the Earth. He was particularly fortunate to be able to monitor 24 hours a day during the height of the sunspot cycle - from 1989-1991 - when solar activity, geo-magnetic disturbances, and whistlers were most numerous.
Mike also passed along the results of his own receiver experimentation, thus positively influencing my own receiver experimentation. In late summer of 1990, I began experimenting with whistler receivers employing short "whip" antennas no longer than 5 to 6 feet in length. These "whip receivers" successfully monitored whistler activity, though my earliest versions lacked sensitivity.
I must credit the original idea of using a short whip antenna to a longtime close friend and fellow whistler enthusiast, Gail West, who lives in Santa Rosa, California and has accompanied me on many of my road trips and whistler listening expeditions. Gail repeatedly witnessed my frustration with stringing out unwieldy wire antennas, and on one particular morning (summer 1989) in the northern Nevada desert, commented "it sure would be nice to use just a small whip antenna rather than long wires for a whistler receiver antenna."
Also, while on a solo listening session in the hills of Marin County, California in February 1990, I heard a strong whistler howl from the tape recorder's speaker with nearly all but about 10 feet of antenna wire rolled back onto the spool. This experience reminded me of Gail's idea and made the whip antenna idea seem more plausible. While the idea of a hand-held whistler receiver seemed somewhat wishful thinking early on in my experimentation with whistler receivers, it would become reality in just over two years of whistler listening and receiver tinkering.
Increasingly better and more sensitive yet simpler whip antenna whistler receivers were continuously devised on my workbench. On a beautiful spring morning in May 1991 while hiking on a trail in the mountains east of San Diego with friend Frank Cathell of Conversion Research, I demonstrated my BBB-2 whip antenna whistler receiver. Frank was so fascinated with this receiver that he jumped on the bandwagon, and by August 1991 after a furious 3 months' of receiver tinkering, Frank and I created a sensitive battery-powered whistler receiver that required only a small 33-inch antenna, was cigarette pack sized and very portable, called the "WR-3," and we shortly began selling this new pocket receiver on a casual basis.
The WR-3 opened up whistler monitoring to practically everyone--even non-technical people--willing to at least undertake the effort of finding a reasonably powerline "hum" free location where whistlers and other natural VLF radio phenomena could then be listened to and enjoyed as easily as listening to regular broadcast radio. At this point thanks to the WR-3, whistlers and lightning sferics were very easy to hear--now it was just up to Mother Nature to put on a show.
My difficulties with whistler receivers and antennas were now behind me, but I still retain very fond memories of the beginnings of my own interest in whistler listening and study. In June 1989, Gail and I heard our first whistlers "live" while camped deep in the eastern Oregon desert near Steens Mountain. In anticipation of the trip and not yet aware of more advanced receiver circuits available for this pursuit, I built a crude "whistler-filter" which I knew would at least block out a lot of the potential man-made signals which might overload my tape- recorder's audio-amplifier.
During the days leading up to desert trip, Summer thunderstorms had been plaguing the Great Basin areas of central and northern Nevada--the result of the typical summertime "monsoonal" moisture which sometimes gets driven up northward from the southwestern states of Arizona and New Mexico toward the inter-mountain region of the western U.S. (including Utah and Nevada). July and August are the months of the most spectacular lightning storm displays that pound almost daily throughout the deserts and mountains of western North America.
As Gail and I arrived at our intended campsite in the Black Rock Desert of northern Nevada, one of the more fiercer-looking cumulonimbus clouds drifted in our direction, and a light rain began to patter the parched desert dirt. Shortly thereafter, the wind picked up accompanied by the rumble of thunder. It looked like we were going to be in for quite a bit of this judging by the looks of the clouds. As we tried to set up our "Tahjmatent"--a huge dome tent which was tall enough to stand up in and roomy enough for 10 people to sleep in--the winds started to blow so hard all Gail and I could do was just stand there holding the now horizontally flailing tent.
The situation seemed rather dismal, however the skies to the north looked almost cloud-free, so we decided to cram our big wad of a tent and other supplies back into my small Toyota coupe and head farther north to an alternate location in Oregon about 100 miles away. We would return to the Black Rock Desert the following month under clear skies.
Arriving in the Alvord Desert of south-eastern Oregon with about 1 1/2 hours of sunlight left, we set up the tent under clear blue skies while occasionally stealing glances at the still ominous- looking skies to the distant south, hoping it would not come up our way. Fortunately, we were spared any further harassment from the weather and I became confident I could unroll my nearly 500 meter-long wire across the sagebrush. I connected my whistler filter to this wire and "grounded" the other connection to the car. Connecting my tape-recorder to the filter, I was rewarded by loud snapping and crackling from all the lightning happening south of us.
The following morning at sunrise under cloudless skies, I turned on the tape-recorder and listened to the now greatly reduced amount of lightning static. But, a few of the louder lightning "pops" had whistlers (or what I thought sounded like "whizzers") happening a second or two afterward! I shouted for joy and thrust the headphones at Gail for her to listen, too. We were hearing our first whistlers, though they sounded different from the few I had heard recorded on cassette tape by Michael Mideke back in central California. The whistlers went on for an hour or so then died away.
The following morning, the whistlers were back, but even louder! An already very enjoyable desert trip had turned into a milestone for me! Now that I had heard whistlers on my own, I became "hooked" with this very esoteric aspect of radio listening. I had been enjoying shortwave listening to stations around the world and amateur "ham" radio for the past dozen years, but this was something very new and fascinating - something that played well into my other casual and hobby interests in geo-physics, meteorology, and radio wave propagation studies.
Over the next few years, I would learn a great deal about natural radio phenomena and how to build excellent receiving equipment to listen for whistlers and the like. One of my main goals was to build a whistler receiver that would not require a whole roll of antenna wire but only a small whip antenna - a desire which came to fruition in the spring of 1990, when I "accidentally" heard a loud whistler while rolling up the final few meters of antenna wire. I knew it was possible to hear whistlers with small antennas, and as I've already mentioned, a prototype to my portable hand-held "WR-3" receiver was devised a in the spring of 1991 with the help of another radio friend, Frank Cathell of Conversion Research.
In addition to all of my whistler receiver tinkering, trials and successes mentioned above, serious and regular natural radio listening (and quality recordings) began in February 1991, when nearly every Sunday morning well before sunrise (the "prime time" to listen for whistlers), I would pack my favorite whistler receiver, a small reel-to-reel tape recorder, and lunch into a knap sack and bicycle to the nearby hills. Upon reaching the base of the hills, I would then dismount and walk the bike up via a fire access-road to my favorite listening spot--a flat ridge-line overlooking much of Marin County, San Francisco, and San Pablo Bay at an elevation of about 600 feet above sea-level--which I began calling "Whistler Hill." There, I would listen for whistlers, and if there were any happening, run the tape recorder. I was rewarded by many beautiful sunrises and many nice whistlers on my weekly visits to Whistler Hill, and I was quite happy with my current receiver, a unit which used a 66-inch whip antenna, called the "MC-1."
One memorable morning near Easter 1991, a "huge" whistler--the loudest of the morning--occurred just as the sun began peeking above the north- northeastern horizon. It was in this year that I would really discover the aesthetic beauty of whistler listening while out in nature! While I was always glad to hear whistlers in the hills, it was not always easy to awake at 4 a.m. in the cold and bicycle the few miles up to Whistler Hill. Many of those Sunday mornings would have been better spent sleeping a few hours longer, but Oh!, was I so glad when those whistlers would be pouring forth in my receiver's headphones as another gorgeous sunrise was forthcoming--then I was always glad I made the effort to get up early! But then again, I would sometimes get up to Whistler Hill only to hear NOTHING except the ever-present crackling of Earth's ongoing electrical storm commotion. And if the weather was gloomy, I was usually tempted to ride back home instead of continuing on my usual 8-10 mile bike and hike.
Why DIDN'T I stay home and listen to whistlers from the comfort of my bed, as is generally possible with more conventional broadcast radio? The problem lies with the electric-mains grid which has spread nearly every place man has settled. Alternating-current electric power lines emit "hum" at 60 cycles- per-second in the Americas, and 50 c.p.s. (Hz) in Europe and Asia. In addition to these "fundamental" AC power frequencies, "harmonic" energy is also radiated (120, 180, 240, 300, 360 Hz, etc.), or as in Europe and Asia: 100, 150, 200, 250, 300 Hz, etc.)- often to well above 1 or 2 kHz. Since whistler receivers are sensitive to these electric power frequencies, any natural radio events which might be occurring get masked by this terribly annoying humming sound, should one try to listen anywhere near AC powerlines.
The only solution to AC power-line "hum" is to locate a listening spot away from AC power poles and wires--often as far as several miles before the hum levels are reduced to low or nil levels. This necessitates walking, hiking, bicycling, or driving to remote locations where there are few or no AC power lines - easy to do in many parts of California and the West but often very difficult in flat land or urban locales. Sometimes--and with good filters in the whistler receiver--one can listen as close as a couple-hundred feet (or maybe even closer) to residential AC electric wires.
On a few fortunate and astounding occasions, whistlers can get so loud as to even be heard through the loud power-line hum levels encountered in a suburban backyard, demanding the whistler listener to immediately relocate to their favorite "quiet" listening spot in order to hear and tape record such magnificently giant whistlers, and at the same time praying that the monster whistlers still are going on when the whistler receiver is again turned on! Murphy's Law and my experiences generally suggest they will be gone and not to return until another inopportune time...
My tape libraries of whistlers and other natural radio phenomena vastly increased in late 1992 and throughout 1993 and early 1994. The stimulus to get out and make natural radio recordings came when, after purchasing a "camper-van" in July 1992, Gail and I headed up California's North Coast, stopping for the night at Westport Union Landing Beach north of Fort Bragg. We heard nice whistlers that evening and morning during darkness using our WR- 3's clamped in the van's rear doors while laying in our comfy beds.
Occasionally, however, one or both WR-3's would slip out of the door and nearly hit our heads. Gail came up with an idea to have a whistler receiver with an antenna that could remain outside while a control box could be put next to the beds. Well, I got right to work on this great idea of hers upon returning home, and quickly designed an excellent "WR-4" whistler receiver in which the receiving antenna (2.5 meters in length) is mounted on the van's read door ladder and the control-box containing filter switches, headphone and tape-recorder jacks, etc. could be placed next to the bed! Now, I could make recordings while comfortably in bed, even while dozing off - letting the recorder run for 45 minutes or until I awoke to monitor the situation.
Since recording became very "convenient" while camping -no more sore arms holding the receiver out the window or standing out in the cold and win, and not as much sleep deprivation as before--I (alone or with Gail) am now able to locate to superbly quiet camping/listening locations deep in the western deserts, the northern Plains of North America, or near mountainous areas and wait for conditions to present interesting natural radio sounds. The past couple of years has seen the combining of my enjoyment of camping and road trips with natural radio listening, culminating in the Summer 1996 SOLAR-MINIMUM VLF RECORDING EXPEDITION to northern Manitoba in late summer 1996 (and 30 hours of incredable natural VLF radio tapes!).
The ease of whistler listening with the van-based WR-4 and later, the WR-4b (additional LC filter circuit) and our love or camping trips has resulted in about a hundred hours of recording between 1993 and 1996 from over 25,000 miles of travel - a natural radio tape library which has become one of the better ones from an amateur, but I have no doubt that Mike Mideke's has to clearly be the FINEST amateur/hobby tape library in the world recorded from ONE location, since he LIVED in a quiet location free from strong powerline "hum" and has not had to travel to enjoy natural radio.
When Donald Cyr initially inquired in late 1994 if I would like to contribute some thoughts on whistler listening and experiences during the past couple of years since I last contributed material to his book: America's First Crop Circle; Crop Circle Secrets Part 2, I said "sure, I'd love to write something for your new book."
Don was interested in any information I might be able to offer, such as where the best places to hear whistlers are, or if I found any particular places that whistlers were consistently stronger than in other locations. I assume he was hopeful that my findings might tie in to his theory, which I'll call "The Marion Island- Wiltshire Plain Crop Circle Theory," (a name I have created for this article) that suggests whistlers--at least the ones which might have caused many English Crop Circles in the late 1980's and early 1990's--are highly localized phenomena that are launched at a given point, such as Marion Island in the south Atlantic Ocean, and are ducted via the magnetosphere along a line-of-force to the northern hemisphere, specifically, to southern England, where they, if they do not cause odd impressions in wheat fields of the Wiltshire Plain, will nonetheless be very LOUD indeed to one listening for them with a whistler receiver.
Don's theory, backed by his friend and colleague James Brett, was first presented to his readers in CROP CIRCLE SECRETS, PART 1, published in 1991 and highly recommended reading for this discussion as is PART 2, published in 1992. This particular book of Don's generated a good deal of interesting dialogue, and discussion. Of course, Don and James's Crop Circle Theory was really aimed at stimulating query and discussion about the what the mysterious forces which might be creating such incredible and beautiful impressions in the English landscape - and that is the true driving force of inquiry and research.
Other theories were pondered, suggested, debated, and dismissed by various contributors to Don's books, and they ranged from elaborate UFO theories, vortices and balls of light, military exercises (there are several military installations in that English region), underground forces of electromagnetic nature, to suppositions that they were plain and simply, artistic hoaxes concocted in the night by creative people armed with poles and chains.
Don and James were fascinated by the whistler theory as presented by researchers Storey Helliwell, The Institute of Radio Engineers (I.R.E.), et al., and they thought this theory was as good (if not better than most) at explaining a possible origin of Crop Circles. What seemed fascinating to Don and James was that Marion Island, also home to a secretive military installation, was at the far end of a magnetospheric duct, i.e., at a conjugate point to south-western England. Perhaps lightning storms, enhanced by the odd geography of Marion Island, or perhaps, a secret military experiment there, were generating great bursts of electromagnetic energy that would enter a magnetospheric field- aligned duct and arrive in England as a powerful whistler, which would cause Crop Circle by perhaps affecting the stems of the wheat stalks in odd manners.
From a scientific point of view, however--and from what both amateur and professional whistler listeners and researchers have found--it is hard to believe whistlers were so concentrated in their energy area and also "intelligent" to create such lovely patterns in the English fields. Radio engineers and other "technical" people involved with radio waves generally know that it is impossible to confine a radio wave to an area or volume less than 1/2 its wave length. In the case of whistler energy emerging from the confines of its duct and resuming the velocity of light (300,000 km/186,000 miles per second), its (full-wave) size is from 19 miles at 10 kHz to almost 190 miles at 1 kHz--pretty large!
Mike Mideke eloquently expressed this reality in the final few paragraphs on page 27 and the first few paragraphs of page 28 of CROP CIRCLE SECRETS. Part 2. Also, the power of a radio wave (also known as the "field-strength") from even the strongest and loudest whistlers ever heard and/or recorded by anyone have never been as strong as the VLF radio waves generated from nearby lightning storms, though the lesser energy from whistlers is of course sustained much longer than the split-second burst of energy from a lightning stroke, and, or course, whistler radio energy does differ substantially from a lightning bolt's.
While whistlers would hardly seem to be so super-concentrated in their strength and focal area to cause such intricate and sharply defined impressions in plant material like crop circles, data gathered in the past 35 years by manned and un-manned monitoring stations located worldwide has found that whistlers do occupy a "footprint"--that is-they are heard loudest at a given location at ground level, and then gradually weaken as one moves concentrically away from "ground zero."
Most whistlers are heard in a 500 to 1000 mile radius from the exit point region of its duct, though it's sound characteristics may be different from one place to another within this whistler reception area. Whistlers also tend to cluster in the middle and upper-middle latitudes of the globe - between 25 and 60 degrees north/south, and are rarely heard at the "geomagnetic equator"--a wandering latitudinal line on the globe at the half way point of any great-circle line drawn from Earth's magnetic north pole to Earth's magnetic south pole.
Most of the continental United States and southern Canada are between these latitudes to hear not only splendid whistlers but also beautiful VLF radio "chorus" from Auroral displays. The same goes for most of Europe, especially the British Isles and Scandinavia.
In the Southern hemisphere; southern Argentina and Chile; the southern parts of Australia, particularly Tasmania; New Zealand; and perhaps, the Cape Horn region of South Africa, are similarly at the right latitudes to hear whistlers and chorus. The South Island of New Zealand and the Tierra del Fuego region of South America, plus the Antarctic Peninsula, are where the good displays of Aurora and auroral chorus can be seen and heard.
Listening to whistlers from near one's home town or on road trips can be very enjoyable and inspiring, but it is even more fun to travel abroad and check out whistler reception in other parts of the world. In late May of 1992, my father and I went on holiday to Ireland, enjoying a 12-day coach tour of the entire country. I brought my pocket-sized WR-3 whistler receiver, hoping to catch and record some "Irish whistlers."
The first night happened to be at the Clare Inn not far from Dromoland Castle and Newmarket- on-Fergus. Surrounding this hotel was a beautiful golf course, small lake, meadows, and woodlands. There were only a few powerlines near the hotel and main road to Ennis, leaving much of the golf course and meadowland fairly free from excessive Ac power hum, and therefore, good spots to listen for whistlers, as I tested out a few hours after we arrived bleary-eyed from an all night flight across the northern Atlantic.
In anticipation of hearing whistlers in this quiet and exotic location, I spent much of the pre-midnight period walking around with my Sony LW/MW/SW/FM radio, enjoying the Irish Radio Telefis Eireian (RTE) 1 & 2 radio networks, and the nighttime reception of British and European mediumwave (AM) stations, tape recording much of this reception with my trusty micro-cassette machine.
At around midnight, after the BBC on longwave 198 from Droitwich signed-off after the maritime weather report and a cheery "good night," I flicked on my WR-3. Lo and behold, there were nice whistlers, albeit only occasionally, since it still was a bit "early" for the really good whistler shows, which like to start up after 4 am. Catching some sleep in the woods (the hotel was rather far-off at this point) I awoke around 3 am, turned on the WR-3 to hear more whistlers--and there were LOTS of them, followed by weak "Auroral chorus" that rose up from the static at around 0400, and remained past my first Irish sunrise, when I drifted back to the hotel room to catch an hour or so of terribly-needed sleep!
That night would prove to be the only place our tour group would spend the night where there was open space - the rest of the hotels we stayed in would be located in towns or deep within Dublin, and surrounded by hundreds of electrical lines with no access to large open spaces. I had to be happy with broadcast listening with the Sony, which was always very interesting, anyway. It sure was great to now have natural radio recordings from outside the West Coast.
While scientists and hobby whistler listeners have pretty much determined what regions of Earth are in "whistler country," it is never possible to predict where, at any given time or on any given day, whistlers will be heard--loudly, weakly, or even at all. It's conceivable there are days where a whistler hardly occurs anywhere on the globe--undeniably there are days and even weeks when not a single whistler is heard by listeners located in otherwise ideal whistler reception regions of Earth, such as Ireland and Europe, the northern tier of the U.S., southern Canada, New Zealand, and so forth.
Conversely, there are days when there seem to be whistlers happening nearly everywhere, as though a giant switch was turned on somewhere in Earth's magnetosphere to issue forth a barrage of weak and strong whistlers too frequent to count! Like weather fronts and hurricanes, it would appear that given a day when things are ripe for strong whistler production, the locations that strong whistlers are heard constantly changes, depending on the locations of lightning storms; the magnetospheric whistler duct beginnings and end points; and the day/night region of the globe - particularly the midnight to 6 a.m. period - which, as we all know, moves westward 15 degrees an hour.
Thanks to simultaneous whistler monitoring and tape recording efforts, first by 1950's and 60's whistler researchers such as Storey, Morgan, Helliwell, etc.; and later by coordinated amateur and student study groups, hundreds of individual whistlers have been documented. Their findings have determined that the average whistler is heard in an area of about 500 miles radius, though the "big whoppers" may be heard as far as 2000 to 3000 miles from its loudest "arrival point."
One of my favorite examples of intense scrutiny of individual whistlers (by at least 25-30 listening groups or single monitors), was of "The Giant Whistlers" of the morning of March 28, 1992, specifically, of two whistlers occurring about an hour apart. In and of itself, these two huge whistlers are not really different from other strong whistlers which occur in the hundreds and maybe thousands throughout any season, but it WAS remarkable in that they were serendipitously caught on tape by so many listeners, who were participating in a high school student monitoring effort coordinated by a team of scientists and high school professors, called "PROJECT INSPIRE."
The INSPIRE effort was sanctioned by NASA to study the ground reception pattern of radio wave emissions from a special "modulated electron-beam" generator (called "ATLAS") aboard the Space Shuttle (STS-45), which flew in late March, 1992. A schedule of ATLAS "transmissions" was established in hopes that the ground-based VLF radio receivers set up by the student groups would hear its emissions. Unfortunately, the shuttle-based ATLAS unit failed after only two (unheard) transmissions. Fortunately, it was decided the students groups and other individuals should adhere to their INSPIRE listening schedule, and also to "backup" listening schedules arranged for the mornings of March 26-30, 1992. It was during many of these scheduled regular and backup listening periods that many interesting natural radio events were captured, including several strong and powerful whistlers.
A very detailed report entitled PROJECT INSPIRE DATA REPORT was produced in August 1992 by Michael Mideke, who was the project's data analyst. It is from this report where the following interesting scenarios of whistler reception has been interpreted. Back to the two "Giant Whistlers" of March 28, 1992. Bill Hooper, shivering at 4 a.m. Pacific time in his camper near California's Death Valley, started his tape recorders running once again. Bill was one of many experienced whistler enthusiasts who was monitoring individually but part of the larger INSPIRE student effort. He had set up one of the most sensitive whistler receiving stations--by far--of the entire group participating in the INSPIRE listening sessions, thanks in part to his remote desert location, great distance from any electric power lines combined with plenty of room for a large antenna and very sensitive whistler receivers of his own original design.
At precisely 4:02:38 a.m. PST, or 12:02:38 Universal (Greenwich Mean) Time, an extremely strong (long, 2-hop) whistler was recorded by Bill at his Death Valley listening site. So very strong was this whistler that it briefly overloaded Bill's receiving system. It also produced a "4-hop echo" which was also clearly recorded on his tape. This whistler was also heard and recorded as far away as the U.S. midwestern region and eastern seaboard, but much weaker and "truncated"--that is--only a fairly narrow spectrum of this huge whistler, in the 3-6 kHz range, propagated eastward. This whistler was also heard weakly to moderately in south-central Texas--but again--was somewhat truncated there like farther east. Interestingly, a large part of Texas was experiencing heavy rains and lightning storms- whistler receivers in southeastern Texas were picking up very strong, local-like lightning stroke "sferics."
If the source lightning of this whistler was in Texas, one wonders how it arrived so loud in the California desert! Perhaps it was generated by lightning strikes somewhere else, perhaps to the north or northeast of California, and far enough as to not really make much of an obvious sferic "pop" in the whistler receiver.
An hour later, a nearly identical strong whistler to the one at 12:02 UT occurred at 13:03:03 UT, this time heard by myself as well as Mike Mideke and others listening in Arizona New Mexico, and even Minnesota. Unlike the earlier big whistler, this particular whistler as heard in Minnesota was stronger. It also was not as "truncated" as was the earlier strong whistler. Interestingly, the sferic generated from the causative lightning stroke was rather weak in California, unlike its whistler.
Clearly, on this morning the big whistlers were concentrated in the western United States even though the lightning storms weren't. It should be noted there were days when the whistlers were stronger in the eastern United States and were weaker "out West," and point out how the locations of strong whistler activity change day-by-day and can't easily be tied to where lightning is happening. More on this in a bit.
While we are on the subject of loud whistlers and speculation on their originating lightning strokes, I have an anecdotal whistler story of my own to bring in at this point. While on our September 1993 "Big Trip" in my van and eventually to tour the Canadian provinces of Manitoba westward to British Columbia, Gail and I stopped in the eastern Nevada desert about 20 miles west of Wendover, Utah to catch several hours of sleep. Gail and I had driven most of the night across the Silver State after a brief stop the evening before at another favorite natural radio listening spot an hours's drive east of Reno, where we had heard and taped a marvelous variety whistlers, some very strong like the ones recorded by the INSPIRE listening groups in March 1992.
Very sleepy and exhausted after 250 miles east-bound on Interstate 80, we took a remote exit off the freeway and headed south down a wide, unpaved road running alongside some railroad tracks. In the dark, we noticed there were powerlines running along the train tracks, but determined to stop in a spot where we could get some sleep and record whistlers (which I was sure must still be roaring), we kept on going until we saw another smooth dirt road branching away at right angles away from the tracks and pesky wires. Making occasional checks for powerline hum with my WR-3, we drove far enough from the wires--at least 5 miles--to where I couldn't hear any hum with my WR-3 whatsoever. By this time, we were just too tired (and now cold) to even set up the better WR-4B whistler receiver's antenna. I just had enough energy to get in the back of the van and tuck myself under the covers, falling quickly asleep.
Awaking a few hours later, I noticed it was somewhat light with a slate-gray sky. Time to set up the WR-4's 10-foot copper-pipe antenna and check out the whistler band. As predicted, there were wonderfully loud "growler" type whistlers roaring out of fairly light background sferic static. I hopped back into bed and switched on my cassette recorder, capturing these great whistlers onto a 90 minute tape. My WR-4B whistler receiver was once again proving to be a truly superb receiver with its van- attached pipe antenna and convenient bedside control box, while the trusty WR-3 made a nice spot checking receiver. With the WR- 4B, I could snuggle under the covers and run tape - even if I fell asleep while recording. It certainly was a vast improvement over holding our WR-3's out the vehicle window or clamped in the van's door as we did that August 1992 night up the California Coast, and Mike Mideke even commented in a letter: "I was wondering when you'd get out of hand-held mode!"
This September 17, 1993 morning, Gail and I were having a nice time parked once again in the beautiful high desert surrounded by beautiful mountains, pungent sagebrush, whistlers roaring in the headphones, and few cares in the world. The entire 4,500 mile trip through 10 states and 4 provinces was completed in about 2 weeks and over 10 hours of natural radio recordings, including wonderful "auroral chorus" while watching the northern lights dance overhead in Alberta.
While many of my whistler and chorus tapes were recorded while tired, semi or fully asleep, I was not able to critically scrutinize what things I was recording until I got home. Herein lies the beauty of taping what you hear - events can be listened to again and again - in my case usually for the sheer beauty of Earth's natural radio sounds, but also for scientific analysis if necessary. Also, subtle events are sometimes missed while monitoring live due to fatigue, the distraction of beautiful surroundings, and so forth.
What I can explain about those great big eastern Nevada whistlers of September 17, 1993 is as follows: They were coming from rather weak but distinct and clean "tweeking pops," the kind which are produced by fairly distant ground strikes. Now, I've listened to a lot of lightning sferics while watching the lightning strikes making them, and the sounds of lightning static can be as varied as the visual strikes. I've noticed that the big, bright, single cloud to ground lightning strikes can deliver a very loud but clean "pop" in the whistler receiver's output. Cloud-to-cloud lightning, sometimes trigger other nearby in--cloud lightning, sounds more "crackly" or like the crushing of a Walnut in a nutcracker.
Anyway, interspersed amongst the numerous weak sferics and occasional, huge whistler generating popping tweek were occasional strong and semi-local lightning sferics - dry sounding and not tweeking - that were generating very weak and quite diffuse ("hissy") whistlers. These strong sferics were coming from lightning within about 50-100 miles of my listening location. Seems they just weren't generating big whistlers - or if they were, the whistlers were arriving SOMEWHERE ELSE strong but distant enough to explain their rather weak strengths near their source lightning. So, this idea of lightning stroke energy entering a duct or ducts to travel to the magnetic conjugate and then back again to the general area of their generating lightning strokes is a fairly simplistic explanation and not entirely satisfactory. And, as simplistic explanations tend to do, it fails to consider more complex events taking place...
It is my supposition that, somewhere, as they merrily arch along the magnetic-field lines, whistler ducts can cross, combine, and/or excite each other. In my mind this helps explain why 2- hop whistlers don't always "land" near where their originating lightning stroke occurred, but can wind up a thousand or more miles away! If you will, whistlers can "jump rail" and enter adjacent ducts, winding up curiously far from where they should arrive--whistler wanderlust.
As such, it is hard to believe southern England and Marion Island would have a dedicated whistler duct connecting them "together" and transferring Marion Island Lightning into Wiltshire whistler crop circles! More than likely, lightning energy from Marion Island winds up occasionally as a short whistler in southern England, but maybe an hour, day or week later, is sending whistlers into France, Spain, Iceland, or maybe Moscow - and these wandering whistlers are "bouncing back" as 2-hop whistlers now even more removed from their parent lightning storms!
I think conjugate points (and their associated "impact zones"), caused by variations in the exact position of Earth's magnetic field, can vary daily and even hourly--call it "conjugate end- point drift." If the solar wind is pushing against the magnetosphere, either gently - or as can be the case after solar flares and "coronal mass ejections" from the Sun - rather violently, then the motion of Earth's magnetic field lines and any whistler ducts present within them must also get tugged and pulled to various degrees from their "normal" positions. This--and my suggested whistler duct crossings, jumps, and re- combinations--must be partial explanations of why lightning in Texas sometimes causes strong 2-hop whistlers in California, or why Nebraska lightning generates huge whistlers in Manitoba that are weaker in Nebraska. Where was the Nevada lightning of the morning of September 17, 1993 sending strong whistlers (if any) to? Where were the rather weak lightning sferics that generated such giant eastern Nevada whistlers? I can also ask, just where was the lightning that spawned southern England's artistic whistlers?
One can't neatly package the fascinating whistler phenomenon with magnetic conjugate points, lightning stroke counts, fixed impact zones, et cetera, et cetera, and expect to easily explain what in reality is a mind-boggling dynamic process that changes like a kaleidoscope and never repeats.
While it is intriguing (and even fun) to try and scientifically unravel the phenomenon of whistlers, part of their allure is that they are just there to be listened to - they are as nice to hear as sunsets are to see, and the reasons for their existence must sometimes take a back seat to the beauty of their tones.
Neither myself or anyone else have yet to determine if there are "special places" where, perhaps due to local terrain or geology, whistlers are louder and more frequent than average. But, they may exist somewhere. Intriguingly, Edson Hendricks, a researcher into the mysterious "Marfa Lights," heard extremely loud whistlers issuing forth from a very crude and seemingly insensitive whistler receiver during a display of these strange and spooky colored balls of lights occasionally seen in the desert near Marfa Texas for nearly 50 years.
Ed was listening right near powerlines, and their "hum" would have surely been overpowering to more sensitive whistler receivers like my WR- 3, WR-4b or BBB-4, and also Mike Mideke's fine RS-3/4's, but Ed tells of these very pure whistler-like notes far stronger than the weakish background hum, as heard in the output of his simple receiver. Something is going on there in west Texas that needs further checking out, and it again points to the great need for more people to join in the whistler listening movement.
We would know vastly more about whistlers if there were as many people listening to whistlers as were watching the prime-time fare on television - a silly and hopeless wish - but even 100 or more people joining the whistler listening movement and coordinating listening schedules would give a clearer idea of when and where whistlers are coming and going. Whistler monitoring observations combined with information about where lightning storms and whistler source strikes were occurring would vastly help to exhibit this relationship. We could see if a pattern emerges or if things were more random with regards to location of the loudest whistlers and locations of their source lightning.
(Author's note: Long after I wrote this piece and
surmised from my many years of listening to VLF and observing whistlers that magnetic field conjugate points were not really fixed on two given points in Earth's opposite hemispheres, such as Marion island
and southern England, I came across an intriguing scientific paper in the American Geophysical Union's
Geophysical Monograph 53, page 161, entitled Ray Path's of Electromagnetic Waves
in the Earth and in Planetary Magnetospheres. This copyright 1989 paper written by Iwane Kimura of
the Dept. of Electrical Engineering II, Kyoto, Japan, presents many graphs, mathematical formulae and
diagrams of bi-polar magnetic field models of Earth showing wave-path tracings of man-made VLF signals
transmitted from Siple Station in Antarctica and received by orbiting satellites. One particular paragraph
written by in this article summarizes up nicely the potential for a great variability of whistler paths and
conjugate points:
"For ray tracing of whistler mode waves in the earth magnetosphere, the simplest
model of the geomagnetic field is a dipole model. Most of the ray tracing techniques treating wave
phenomena in the earth magnetosphere have been based on the dipole model. Actually, however, real
geomagnetic field lines are known to be fairly deformed from dipole field lines, so that for whistler waves,
whose propagation are strongly governed by the geomagnetic field direction, ray paths calculated using the
dipole model will differ considerably from those in the actual magnetosphere."
If whistlers aren't enough of a fascinating pursuit, there are
a host of other natural radio "sounds" which can be
heard at the 0.1-10 kHz audio-frequency portion of the radio spectrum
to keep enthusiasts hooked on these Earth radio sounds. One of
the more common (but less frequent than whistlers) are "chorus,"
which consists of a series of sharply-rising notes, called "risers."
This fairly common phenomenon (but not as common as whistlers)
can mimic the sounds of a flock of birds chirping, frogs croaking,
or seals barking. Chorus occurs during magnetic storms, when Earth's
magnetosphere receives a barrage of high- speed energetic particles
cascading into it from solar flares on the Sun or from energy
ejections from the Sun's "coronal holes" which allow
to escape the Sun in streams traveling at sub-light speeds.
This phenomenon of magnetic storms is also responsible for the
Aurora Borealis and Australis--the Northern and Southern Lights--seen
in the sky at higher latitudes close to Earth's Arctic and Antarctic
regions. Chorus can happen during visible aurora and is called
"Auroral Chorus"--this sometimes can also be heard over
a widespread area at around local sunrise, when it is called "the
Dawn Chorus." Often accompanying Earth's magnetic storm associated
auroral displays and natural radio chorus is "hiss,"
"wavering-tones," and other endless varieties of natural
radio sounds.
Just when lightning seemed a rather common and well studied phenomenon,
awesome as it is, Mother Nature throws another "wow!"
at mankind. It seems we can now add the terms "red sprites"
and "blue blobs" to our lightning storm vernacular.
I am fascinated by recent videotaped evidence presented to the
world scientific community and also general public pertaining
to massive red and blue bursts of lights occurring as high as
20 to 30 miles above lightning storms.
For years, pilots of high-altitude aircraft were reporting sightings
of strange blue and red lights seen above lightning storm clouds
which were occurring at the same time as lightning flashes in
the clouds below. In the summer of 1994, scientists from the University
of Alaska Geophysical Institute in Fairbanks, Alaska were at last
able to very clearly videotape these incredible lights using high-speed
video cameras located on the ground and aboard two aircraft flying
over storms in the U.S. Midwest. As though squirted out of a spray
bottle, bursts of red light can be seen bursting upward in a stream
right over lightning strokes and flourishing in a great cloud
of light, lasting for about 1/10th of a second.
Fascinating as these baffling red and blue lights are, what's
even more intriguing to natural radio listeners like myself is
a quote from one of the researchers, David Sentman of the U. of
Alaska Geophysical Institute, who says that the radio signals,
when played through an audio speaker "sound like eggs hitting
a griddle." Sounds like the hundreds of thousands of "crackling"
sferics I have heard and tape recorded through the years, many
of them (but certainly not all or most) have set off nice whistlers.
I have always pondered at the sheer LENGTH of many of these lighting
sferic crackles--quite a few of them are about a second in duration,
and there are occasionally crackles which carry on for almost
2 seconds! These times seem far longer than any actual flashes
of lightning I've ever witnessed, although it would seem lightning
strokes can trigger other lightning strokes (via these immense
radio energy impulses), seemingly supporting the reasons for such
lengthy sferic "crackles."
Now, it would seem I've been hearing the radio sounds of sprites
and blobs - I wonder if re-naming my WR-3 "Whistler Receiver"
to a "Sprite & Blob Receiver" might be appropriate.
Seriously, there is thought amongst whistler listeners that these
weird lightning strike emissions are what may be causing whistlers,
since they offer visible evidence of a linkage of energy from
above the lightning storm clouds toward the ionosphere. They do
not occur during every lightning stroke, just like whistlers do
not happen after every lightning stroke. Since the Aurora Borealis
and Australis (more commonly referred to as the Northern and Southern
Lights) also generate fantastic VLF radio sounds, it remains a
dream of mine to video-tape the Northern Lights while simultaneously
recording their radio emissions onto the audio sound track.
I have watched aurora in Canada dance in the skies and listened
to their beautiful whistling and squawking in the whistler receiver--bursts
in intense aurora would also create bursts of auroral radio sounds.
I understand the U. of Alaska Geophysical Institute in Fairbanks
(the same folks studying the "Red Sprites" and "Blue
Blobs" over lightning storms) has created an extremely sensitive
(equivalent to 2 million ISO) video camera. They videotaped beautiful
auroral displays in the Alaskan nighttime skies with astounding
high clarity and detail, something never before achieved. Most
auroral photography requires time-exposures with still cameras
to turn out brightly. But then, the fine detail of the auroral
curtains becomes smeared due to the motion of the auroral displays.
The most basic receiver required to pick-up and record whistlers
and all of the other Natural Radio signals of Earth is a tape-
recorder audio amplifier connected to a wire antenna (aerial)
of sufficient length to transfer enough radio energy into the
tape- recorder's audio amplifier to successfully record them.
In actual practice, however, this crude tape-recorder/audio- amplifier
"receiver" will most likely also intercept your local
broadcast station transmitting in the long or medium-wave band
as well as other signals, and it may not have enough "sensitivity"
since tape-recorder inputs rarely are well "matched"
in impedance for wire aerials but prefer microphones and such.
Fortunately, whistler receivers are not too complicated to construct--or
today--purchase. A handful of parts and a couple of specialized
transistors can form the basis of a very good whistler receiver
that will perform very satisfactorily and almost as well as the
professional study units that cost upwards of several hundred
dollars.
In closing, I invite readers to join in and listen to the wonderful
radio sounds of Mother Earth. You needn't be interested in science
or be a radio buff, but need only to have the desire to lend an
ear to the extraordinary yet ordinary. Like star gazing, Natural
Radio listening redirects the mind and heart toward the wonder
and beauty of the natural world.
Stephen. P. McGreevy, January 1995, updated and converted in
entirety to HTML with photos December 1996. Additional revisions 10 October 1997
References:
James Brett, The Whistler Serenade, Stonehenge Viewpoint Press, Santa Barbara, CA (1995), Edited by Donald Cyr.
Iwane Kimura, Ray Paths of Electromagnetic Waves in the Earth and Planetary Magnetospheres (Dept. of Electrical Engineering II, Kyoto University, Kyoto 606, Japan), (1989), American geophysical Union, Geophysical Monograph 53 pp. 161-171
Robert A. Helliwell ("Father" of VLF research), Whistlers
and Related Ionospheric Phenomena, Stanford University Press, (1965).
Note: The text of this document was written for my CD-set "Electric Enigma." You will read several references pertaining to thie CD, however, the information usefully describes what you will hear live with a VLF receiver designed for 0.1 - 15 kHz reception.
Lightning-stroke "static": If you've already
listened to ANY of these recordings, you will have certainly noticed
(or may even be fed-up with) the nearly constant crackling and
popping noises on each and every one of these CD's tracks. An
unavoidable part of Natural VLF Radio, lightning static is ALWAYS
audible, though, depending on the location and time of year, the
amount of lightning static can widely vary.
Generally, recordings made in local summer are plagued with lightning-
storm static and those made in mid-winter tend to be wonderfully
quiet. While a nuisance to some listeners, VLF lightning static
is trying to tell us something. Imagine a bolt of lightning--say-a
bolt of lightning that strikes the ground from a cloud above.
The length of this awesome spark can be many miles long and as
wide as an automobile.
Between 10,000 to over 100,000 volts are generated in this instantaneous
jolt. Furthermore, a single lightning bolt rarely fires just once,
but as much as 100 times a second, giving it that odd "flickering"
effect. As such; each and every one of those innocent "pops"
evident in these recordings is one of those huge sparks just described.
But as you may have already observed, there are seemingly HUNDREDS
of them per second occurring in many of the recordings, some of
them really loud, but most quite moderate to faint. They seem
to permeate the background--sort of like an old, worn vinyl record.
Obviously, there is A LOT of lightning going on "out there!"
And there are-a couple million lightning strokes (flashes) occur
each day, worldwide, from approximately 1500-2000 lightning storms
in progress at any given time. A VLF receiver is quite good at
picking up lightning from as far as 3000 miles distant (perhaps
more), and gives you a nice idea of the SHEER amount of lightning
strokes firing off in any given second! You may experience days
or weeks of sunny, delightful weather where you live, but the
VLF receiver NEVER lets you forget that lightning is lurking all
'round you!
Tweeks: You might have already noticed a lot of the lightning
static ("sferics") seems to have odd pinging and ringing
characteristics. This "tweeking" effect, sometimes quite
beautiful sounding (such as in the Fish Rock Road Whistlers track),
is generally a nighttime effect, with a few tweeks audible in
the late afternoon/early evening and reaching their best and most
numerous around midnight, and finally tapering off once sunrise
occurs.
At about 50-55 miles in altitude (80-88 km), the E-layer of Earth's
ionosphere (a layer of charged particles, called "ions")
acts similar to a mirror to VLF radio waves. The same goes for
Earth's surface (more- or-less) and the two "sides"
form a sort of pipeline which channel VLF radio signals, especially
lightning stroke static impulses. Static impulses from very distant
lightning storms (thousands of miles) can travel better at night
in this huge radio wave pipeline of Earth, but, below a certain
frequency, there is an abrupt cut-off, whereby the pipeline effect
ceases. This is at about 1700 Hz audio frequency, which is also
the frequency which most of the ringing and pinging sounds of
tweeks are taking place.
Tweeks slowed down about 10 times almost begin to mimic low-pitched
whistlers! Like Whistlers, one can get lost in the explanation
of what causes a Tweek, and so it's sometimes more fun just to
enjoy their odd sounds. Also like Whistlers, Tweeks can sound
very different from night-to-night, sometimes very pure and ringy,
other nights they have a "crusty" sound. During those
(frequent) times no other Natural Radio sound can be heard besides
incessant static, listening to Tweeks themselves can be mesmerizing!!
Whistlers: Most people get introduced to Natural Radio
by hearing a recording of a whistler. Indeed, whistlers are the
most common Natural VLF Radio sound besides lightning static,
especially for those listening in middle latitudes. The term "Whistler"
broadly defines downward- falling sounds which range from nearly
pure whistling tones to windy/breathy sounds more similar to a
"sigh" than a whistle. Between these extremes are a
vast variety of whistler types.
In the case of the whistlers recorded in the eastern Nevada high
desert, I called those whistlers "growlers," since they
sounded more like growls than whistles. Of course, there are many
samples of whistlers in these CD's. Whistlers are the direct result
of a lightning stroke firing off, and usually occur 1-2 seconds
after an initiating lightning flash. Very few of any lightning
strokes ever produce whistlers, but enough do to make things very
interesting on the good days, and sometimes whistlers are so numerous
as to be called "Whistler Showers" or even "Whistler
Storms."
Earth's magnetic-field, which keeps compasses nicely pointing
in one direction only (hopefully!), plays a major role in the
formation of whistlers. Not fully understood to this day, the
traditional theory assumes that SOME of the radio energy from
SOME of the lightning strokes in just the RIGHT location get "ducted"
into channels formed along the lines of Earth's magnetic field,
traveling out into near space and to the opposite hemisphere,
where they are heard as a short, fast whistler (explained in more
detail in the accompanying booklet with this CD set).
If conditions are favourable, some of the energy from these short,
fast whistlers rebounds back the way it came to "arrive near"
(within several thousand miles of) the point of its initiating
lightning stroke, and becoming magically louder and longer. Essentially,
during its globe- hopping round trip, the "all-frequencies-at-once"
radio signal of a lightning "pop" gets the privilege
of being pulled and stretched apart, with its higher audio frequencies
arriving sooner than its lower frequencies, hence the downward-falling
tone.
Some, if not MOST days are DEAD--entirely devoid of the sounds
of whistlers, but there can be those days where whistlers rain
down too many to count, like a huge switch was thrown by somebody
"up there." Listen to the recordings, and you get the
idea...
Chorus: Another general term used to define a number of
Natural VLF Radio sounds, chorus
defines several types of sounds when they occur in a rapid, intermixed
form. The individual squawks, whoops, barks, and chirps of "triggered
emissions" tend to get lumped into the general term of "chorus"
when they occur in large amounts together. Depending on the time
of day, location of event (or at least where it was heard), Chorus
becomes "Auroral Chorus" (it was occurring near auroral
sources or during visual displays of aurora), or around the pre
to post-sunrise period, when it is called Dawn Chorus." Both
sound generally similar, though chorus can manifest itself in
endless variety.
Chorus is a product of magnetic storms, when events on the Sun,
such as a solar flare, or "holes" on the Sun's outer
atmosphere (the Corona) allow a barrage of high-speed charged
particles to impact Earth's outer magnetic field (magnetosphere),
causing it to deform and pulsate, much like air currents deform
the thin film of a soap bubble. Phenomena such as Aurora (Northern
and Southern Lights) also increase dramatically during magnetic
storm periods, as do such natural VLF Radio sounds such as chorus.
Notice the similarities of the various Chorus events presented
on these two CD's, yet also notice the variations. Short- lived
repeating bursts of the individual sound components of chorus
are sometimes referred to as "Chorus Trains." Auroral
Chorus tends to be heard more often and at generally higher latitudes
than whistlers, except for the widespread Dawn Chorus, which,
when heard at lower-middle latitudes, is strictly a magnetic-storm
time phenomena.
Hiss: Also called "Hissband," is a VLF radio
emission partially arising directly from Aurora, with some of it emitted right
from the same location as where the visible light (usually greenish
in cast) is produced and usually very high-pitched.
Other hissband is generated farther out in Earth's magnetosphere including
the bow-shock region of the magnetosphere facing the incoming Solar Wind.
Hiss can vary in its frequency band, sometimes
it has a high-pitched sound like a slightly open water valve or
toilet-tank filling up, and on other occasions can sound much
like the low-pitched roar of a waterfall. While generally stable
in characteristic, it can sometimes abruptly change in volume
and/or pitch, indicating some sudden change has occurred in the geo-magnetic field.
Periodic Emissions: Other sounds different than whistlers
or chorus get lumped into this category, but is the term implies,
they tend to occur only occasionally (periodically) and in repetitious
fashion with a predictable repetition time (period). They often occurr in the whistler-mode and can echo back and forth. More frequently heard at high geo-magnetic latitudes, such as in Canada and Alaska, Scandinavia, or Antarctica.
Tonal Bands: Strange-sounding hissy noises, or a multitude
of whistling sounds which abruptly begin and end, usually for
only 5-10 seconds in duration. Many of these can be heard in the
"Alberta Auroral Chorus" track (CD1, Track 9 and CD2,
Track 1), particularly the longer recording.
These are the sounds of the worldwide Omega Radionavigation System.
Omega--now inactive as of 30 September 1997 thanks to the advanced GPS (Global
Positioning System) satellite navigation system. RUSSIAN ALPHA system still remains and cab stillbe heard. The USGC Omega consisted of eight
10,000 watt transmitters in the following locations: Australia
(Victoria), Japan; Hawaii (Oahu); North Dakota (USA); Liberia
(Africa); La Reunion Island; Argentina; and Norway. Each transmitter
transmited eight "pulses" of 0.8 to 1.2 seconds duration,
repeating the process every 10 seconds. During each cycle, each
transmitter occupied a unique frequency, and over the course of
each 10 second cycle, all of the eight transmitters "hit"
on several common frequencies spanning 10.2 to 13.8 kHz.
Also, each transmitter transmitted on its own "unique"
frequency on 2 of its 8 transmitted pulses. Omega receivers used to sample
the relative phase and timing of each Omega signal. Best results
were obtained when at least 4 Omega transmitters were received
and analyzed, and the nearest resolution, called a "lane,"
is about 5-6 miles (8-10 km), though in critical regions, supplemental
transmitters of very low power may be used in order to increase
navigation accuracy. Omega was subject to the same VLF propagation
disturbances which affect Natural Radio, particularly during magnetic
storms. When Dawn and Auroral Chorus roar, Omega is probably experiencing
accuracy problems!
There were also daily (diurnal) variations in the accuracy and
phase of the Omega signals as day becomes night, which for the
most part were taken into account within an Omega receiver's
internal microprocessor. GPS does not suffer any of these propagation
errors as does Omega.
As such, Omega is no longer on the air, though Russia still operates
a smaller-scale version of Omega called "Alpha." Alpha has only three transmitters
sending three short pulses of approx. 100 milli-second duration followed by a pauseof a couple seconds'
duration. Alpha is much weaker in strength than Omega, particularly for listeners
previously within a couple thousand kilometres of an Omega transmitter.
Power line "hum" from alternating current electric
wires: Switch on a VLF receiver within your home or office, and
you will not hear anything BUT this sound! Today, all electricity
generated at power plants is "alternating-current (AC),"
as opposed to "direct-current (DC)" produced from batteries
in your watch and portable radios. With AC, the polarity changes
a many times a second. In Europe, Asia, most of Africa, and Australia/New
Zealand, the electric mains power changes polarity 50 cycles-per-second,
or 50 Hz. In North America and in most Central and South American
countries, it is at 60 Hz.
While convenient for long- distance transmission and easy voltage
transformation, AC generates hum in poorly filtered audio equipment
and especially in whistler receivers! If this wasn't bad enough,
most electrical "grids" seem to cause the 50 of 60 Hz
current to generate harmonics--multiples of 50 of 60 Hz, causing
hum/buzz THROUGHOUT the VLF radio spectrum. Those immense, high-voltage,
high-tension electric wires sagging between the tall metal pylons
and marching off toward the horizon can generate impossible amounts
of hum and buzz if you try to listen with a VLF receiver too close
to them-and I'm talking about miles or kilometres near to them!
To have "hum-less" recordings of VLF phenomena (such
as the Eve's River or Alaska Auroral Chorus or Kenai Crazy Whistler segments), you have
to find listening sites far removed from above-ground power lines.
It's fairly easy to find absolutely quiet hum-free listening spots
in desert and mountainous or tundra regions of North America,
Australia, or the remoter parts of Europe and the British Isles
(Scottish Highlands particularly) if you're willing to make a
few days of it, but finding quiet spots to listen close to home
and/or in populated regions such as the English Midlands or U.S.
east and midwest (including farmed areas away from towns) usually
mean pesky power lines will be around somewhere, usually alongside
the road you're traveling along.
Willingness to walk/hike into listening sites greatly increases
your chances that a quiet spot will be found. In most cases, you
have to live with SOME background hum, as must I. Thus, some of
the recordings on these CD's or your potential favorite VLF listening sites have some weak background hum.
Surprisingly,
reasonably quiet natural VLF radio listening spots can be found
in places such as large ball fields, large urban/suburban parks
away from light poles, farm fields where wires are hidden behind
trees, along many beaches (especially if electric wires are below-ground),
and so forth. It has been found that within southwest London's
Richmond Park and Battersea Park, quite a few remarkably low-hum
listening spots exist. This is also true for San Francisco's Golden
Gate Park's soccer/football playing fields. Certainly, other big-city
parks must also have low-hum VLF listening spots you could listen
with your VLF receiver!
Stephen P. McGreevy, March 1996, revised October 1997
Welcome to the realm of extreme and very-low-frequency (ELF/VLF)
"Natural Radio!" The WR-3 and the Deluxe/Enhanced WR-3E
are both an electric-field ("E-field") type of "whistler
receiver" specifically designed to monitor naturally-occurring
VLF radio emissions of Earth that occur in the 100-11,000 cycles-per-second
(0.1-11 kHz) audio-frequency ELF/VLF radio spectrum. Both
receivers employ a short 33-inch/84 cm telescoping whip antenna
(included) and require stereo-mini headphones.
The original WR-3 and the (enhanced) WR-3E (which has an improved LC bandpass
filter and also a high-pass filter plus microphone-level output
RCA jack for tape recording) are now produced and distributed by S. P. McGreevy Productions
as of November 1993. These two receivers are currently in use in about
30 countries worldwide by individual listeners and research groups.
For the remainder of this
Listening Guide text, both receivers will be referred to as "WR-3/3E."
Earth-along with several other planets in the Solar System including
Venus, Jupiter, Saturn, Uranus and Neptune - produces a variety
of naturally occurring radio emissions at the lowest end of the
radio spectrum (< 10 kHz), primarily in the form of electromagnetic
(radio) impulses generated by ongoing lightning storms and also
from the Sun's solar wind interacting with the magnetic envelope
surrounding Earth, called the "magnetosphere." A large
variety of unusual and beautiful Natural Radio sounds can be heard
at ELF/VLF frequencies. These naturally-occurring radio signals
are the subjects of ongoing scientific research by both amateur
and professional groups, and are being monitored both on the ground
by users of the WR-3/3E, other ground-based VLF receiver systems,
and by unmanned space probes and satellites.
It is at these lowest frequencies of the radio spectrum in which
no man-made signals are assigned, that planet Earth's own mysterious
radio emissions have been happening for eons. These fascinating
"sounds" are "primal radio"-indifferent to
the affairs of humankind-and insight into the causes of these
ancient phenomena has only begun to be unraveled in the past 50
years, particularly commencing with the International Geophysical
Year beginning in 1957.
Besides 50 or 60 Hertz (and harmonics) alternating-current powerline
"hum" from electric-utility power grids, the most noticeable
sounds are going to be the snap, crackle and pop of lightning-stroke
electromagnetic impulses (called "atmospherics" or "sferics"
for short) from lightning storms within a couple thousand miles
of the receiver-the more powerful the lightning stroke or the
closer it is to the WR-3/3E VLF Receiver's location, the louder
the pops and crashes of sferics will sound in the headphones.
Several million lightning strokes occur daily from an estimated
2000 storms worldwide, and the Earth is struck 100 times a second
by lightning. The WR-3/3E makes quite an effective "lightning
monitor"-at times the receiver's output is a cacophony of
crackling and popping sferics in an ever-changing texture from
lightning strokes originating in storms near and far.
These huge sparks of lightning strokes, whether from cloud to
ground or within a lightning cloud cell, are tremendously powerful
sources of electromagnetic (radio) emissions throughout the radio-frequency
spectrum-from the very lowest of radio frequencies up to the microwave
frequency ranges and the visible light spectrum. However, most
of the emitted electromagnetic energy from lightning is in the
very lowest part of the radio spectrum, from 0.110 kHz, which
are the frequencies the WR-3/3E VLF receiver has been designed
to monitor. The powerful electromagnetic radio pulses produced
by lightning strokes travel enormous distances at these very-low
radio frequencies, following the surface of the Earth as "groundwaves."
It is quite interesting to note how generally quiet and lightning
sferic free the hours are from just after sunrise to midmorning,
when thunderstorms tend to be at their minimum. Later, the crackling
and popping of lightning sferic activity picks up as afternoon
thunderstorms build in numbers and intensity because of thermal
heating and convection, especially in the summer and autumn months,
when, by sunset, the sferics (snap, crackles and pops) are roaring
in a varied and ever-changing texture as lightning storms rage
on into the evening. Weather monitoring agencies employ special
receivers that receive and direction find lightning sferics in
order to determine where lightning strikes are occurring and the
potential for wildfire ignition, hazards to aviation, and damage
to electric power utilities from those lightning strikes.
While to some, the popping and crackling of lightning sferics
may sound like just annoying "static," you should keep
in mind that each click or pop is a lightning stroke flashing
somewhere, and you also should note just how MUCH lightning is
going on even though your local weather may be cloudless. Additionally,
distinct seasonal variations in the density of moderate to strong
lightning sferics are very noticeable with the WR-3/3E. During
the winter months in the mid-latitudes, when the electrical storm
density is generally at its lowest, the amount of strong sferics
are also at a minimum. Mid-winter, especially in the higher latitudes
north of 40 degrees, can be very quiet with very little lightning
sferic activity. However, a weak but continuous background level
of lightning sferics may be audible between the few strong sferics-these
are from the higher amounts of lightning storms occurring in the
tropics and from the opposite hemisphere's summer lightning storms.
Contrast that to local summer evenings, when there is a continuous
"roar" of lightning sferics heard with the WR-3/3E.
The Earth is truly "awash" with lightning storm activity!
Aesthetically, the random nature of lightning stroke sounds in
the headphones can be soothing, much like the patter of rain drops
on a roof.
At night, many of the popping and crackling sounds of sferics
take on a pinging/dripping sound, called "tweeks," and
can be quite musical sounding. Recordings of tweeks slowed down
about 8 times sound vaguely like "Chinese Opera" gongs.
Tweeks are a result of the impulse path from the lightning stroke
to the receiver being influenced by the Earth surface-to-ionosphere
(D and E-layers) region, which is about 4575 miles (7320 Km.)
in height, measured vertically during the nighttime hours. This
region between the lower ionosphere and surface of the Earth acts
as a "duct" or "waveguide" at these VLF radio
frequencies, which have wavelengths ranging from 18 miles/29 km.
at 10 kHz to over 186 miles/289 km. @ 1 kHz, allowing lightning
stroke impulse energy to travel considerably farther than during
the daytime. As the lightning stroke radio energy travels and
is reflected within this Earth-ionosphere waveguide, the energy
undergoes a slight "dispersion" effect whereby the higher
frequencies of the lightning impulse arrive slightly before the
lower ones within a fraction of a second. The waveguide dispersion
effect abruptly cuts off below about 1.5 to 2 kHz (1,500 to 2,000
Hz) in frequency, resulting in the ringing/pinging "tweek"
sound which is also centered around 1.5-2 kHz. This ringing/pinging
"tweek" sound you hear is the lowest resonance frequency
of the ionosphere-Earth surface waveguide. This is similar effect
to what sound waves experience in a pipeline. If you have ever
clapped your hands inside a pipeline that was between 1 to 3 feet
in diameter, you will notice a sound somewhat similar to the radio
sound of tweeks. Because the Earth surface to ionosphere waveguide
cannot support radio energy below about 1.5 kHz, the dispersion
effect is cutoff below that frequency, thus creating the resonance-like
pinging and ringing sound.
The sounds of tweeks can change on an hourly basis and from night
to night, with the ringing and pinging effect very intense and
musical at times, especially in the middle of the night in summer
and autumn when there is a higher density of relatively strong
sferics. Only a few pops and crackles of sferics may be "tweeking,"
or all of them can be, and the tweeks may sound "crusty"
or be very clean pings and rings. Tweeks can be indicators of
the condition and height of the lower layers of the ionosphere
to researchers, but to many listeners to them, they also contribute
to the aesthetic sound of Natural Radio.
SAFELY DISTANT (over 30 mi./45 km away) but visible summer-time
"heat-lightning" can make for a fascinating study of
the nature of the electromagnetic sferics and their correlation
with the visible characteristics of the lightning. The sounds
of sferics from ground strikes compared to the sound of sferics
from cloud-to-cloud/within cloud lightning strikes can be observed,
and which of those lightning strikes are triggering whistlers,
if they are at all. Exercise caution when viewing distant lightning
and be prepared to discontinue use of the WR-3/3E and seek safe
shelter if lightning clouds approach your listening location.
The WR-3/3E can also be employed as a lightning detector, albeit
a crude one, by detaching the telescoping whip antenna whereby
the antenna screw post becomes the receiver's "antenna."
Any invisible lightning strokes in suspect cloud formations will
emit strong enough impulse sferics (pops/cracks) which will be
audible in the WR-3/3E's headphones. By de-sensitizing the receiver
in this fashion, it will receive only lightning sferics that are
very strong and hence emitted from close-by lightning. This should
be done only in a safe location and not out in the open where
any nearby lightning might strike. If out in the open and very
strong lightning sferics are heard with suspected lightning clouds
nearby, immediate lightning safety precautions should be instituted
immediately. Never take shelter under trees during lightning-the
induced ground currents from a nearby lightning strike to trees
can kill!
In addition to the musical pinging, dripping, popping and crashing
sounds of lightning sferics and tweeks, you may be rewarded by
hearing downward falling musical notes ranging from nearly pure
to "swishy" or "breathy" sounding tones from
1/2 to over 4 seconds in duration. These are the aforementioned
"whistlers," and they may sometimes happen a couple
of seconds after some of the static crashes and pops of sferics
from lightning strokes. One of the best known natural radio phenomena,
Whistlers generally sweep downward in
frequency from about 6 kHz to around 0.5 kHz, but the lower cutoff
frequency does vary markedly as conditions change, and the upper
frequency of whistlers can sometimes start higher than 10 kHz.
Whistlers sound quite fascinating-sort of like some "science-fiction"
sound effects-and besides lightning sferic "static"
are one of the more common Natural Radio sounds you can hear with
your WR-3/3E. They occur in many varieties and characteristics.
The Earth's outer magnetic field (the "magnetosphere")
envelopes the Earth in an elongated doughnut shape with its "hole"
at the north and south magnetic poles. The magnetosphere is compressed
on the side facing the Sun and trails into a comet-like "tail"
on the side away from the Sun because of the "Solar Wind,"
which consists of energy and particles (plasma) emitted from the
Sun and "blown" toward Earth and the other planets via
the Solar Wind. Earth's magnetosphere catches harmful electrically
charged particles and cosmic rays from the Sun and protects life
on Earth's surface from this lethal radiation. Among the charged
particles caught in the magnetosphere are ions (electrically charged
particles), which collect and align along the magnetic field "lines"
stretching between the north and south magnetic poles.
These magnetic-field aligned ions bombarding Earth's magnetosphere
form "ducts" which can channel lightning-stroke electromagnetic
impulse energy. Whistlers result when an electromagnetic impulse
(sferic) from a lightning-stroke enters into one of these ion-ducts
formed along the magnetic lines of force, and is arced out into
space and then to the far-end of the magnetoionic duct channel
in the opposite hemisphere (called the opposite "magnetic
conjugate"), where it is heard as a quick falling/descending
emission of pure note tone or maybe as a brief "swish"
sound. Whistlers sound the way they do because the higher frequencies
of the lightning-stroke radio energy travel faster in the duct
and thus arrive before the lower frequencies in a process researchers
call "dispersion." A person listening with a VLF receiver
like the WR-3/3E in the opposite hemisphere to the lightning stroke
(at the far end of the Magnetospheric duct path) will hear this
"1-hop" falling note whistler. One-hop whistlers are
generally about 1/3 1 second in duration.
If the energy of the initial "1-hop" whistler gets reflected
back into the magneto-ionic duct to return near the point of the
originating lightning impulse, a listener there with a VLF receiver
will hear a "pop" from the lighting stroke impulse,
then roughly 1 to 2 seconds later, the falling note sound of a
whistler, now called a "2-hop" whistler. two-hop whistlers
are generally about 14 seconds in duration depending on the distance
the whistler energy has traveled within the magnetosphere. One-hop
whistlers are usually higher pitched than 2-hop whistlers.
The energy of the originating lightning stroke may make several
"hops" back and forth between the northern and southern
hemispheres during its travel along the Earth's magnetic field
lines-of-force in the magnetosphere. Researchers of whistlers
have also observed that the magnetosphere seems to amplify and
sustain the initial lightning impulse energy, enabling such "multi-hop"
whistlers to occur, creating long "echo trains" in the
receiver output which sound spectacular! Each echo is proportionally
longer and slower in its downward sweeping pitch and is also progressively
weaker. Conditions in the magnetosphere must be favorable for
multi-hop whistler echoes to be heard. Using special receiving
equipment and spectrographs, whistler researchers have documented
over 100 echoes from particularly strong whistlers - imagine how
much distance the energy from the 100th echo has traveled - certainly
millions of miles/Km! Generally, only 1 to 2 echoes are heard
if they are occurring, but under exceptional conditions, several
echoes will blend into a collage of slowly descending notes and
can even merge into coherent tones on a single frequency, hard
to describe here, but quite unlike any familiar sounds usually
heard outside of a science-fiction movie!
It should be reiterated that strong 2-hop (and echoes) can occur
from lightning that is not necessarily close to the listener or
even within a couple of hundred miles from the your listening
location, but perhaps from lightning that is over 1000 miles distant.
You may notice that "louder" sferics (i.e. closer lightning
strokes) often do not trigger the loudest whistlers, if they do
so at all, but then a loud whistler may come howling through from
a relatively weak sferic from quite distant lightning. This is
because the lightning impulse sferic energy may propagate within
the earth-ionosphere region for considerable distance before entering
a magnetospheric "duct." A vast majority of fine whistlers
are heard during periods of locally fair weather-lightning need
not be within visible distance. In fact, many extremely loud "big
whistlers" are heard WITHOUT ANY preceding lightning sferic
audible whatsoever, indicating the initiating lightning-strokes
of those strong whistlers are very far away-possibly over 3000
miles!
Whistlers are best heard in latitudes between 30 and 60 degrees
north latitude in North America, with the prime latitude being
30-50 degrees north. (More on this under the "WHERE TO LISTEN"
section further on).
At higher latitudes such as in Canada, Alaska or Scandinavia , an type of whistler - called "nose whistlers" can be easily heard. These are named for the way they appear in spectrograms, and often occur in clusters. They are quite spectacular sounding. Nose whistlers have both rising and falling frequency components. Compare the nose whistler spectrogram below to the one of the whistlers recorded in Nevada above.
Every whistler is triggered by a lightning stroke, and lightning that is DISTANT enough
away not to pose a danger to the listener with the WR-3/3E but which
is also visible (especially at night) can sometimes trigger whistlers
(very weak to very loud) shortly following the simultaneous visible
flash and loud radio static "pop"/"crack" of the
local lightning sferic in the WR-3/3E receiver's headphones. If
the whistlers you hear coming from the visible lightning strikes
are very loud, this indicates a magnetospheric duct happens to
terminate relatively close to your location. Because the sferics
from lightning strokes within 50 miles to your listening location
will sound EXTREMELY LOUD in the headphones, keep the audio gain
setting low.
Don't confuse the sounds of tweeks with the longer duration whistlers,
which many newcomers to Natural Radio monitoring tend to do at
first. Tweeks, as explained above, have a similar sound to water
dripping into a bucket of water, are of roughly the same duration
as a "drip," and generally are accompanied with the
"click" or "pop" sound of the lightning stroke
impulse. Whistlers on the other hand are much longer in duration
than a tweek-from 1/2 second to as long as 4 seconds in duration.
Occasionally, shortly after sunrise and occasionally extending
into the midmorning, a phenomenon called "Dawn Chorus"
may occur. Dawn chorus can resemble the sound of a flock of birds
singing and squawking, dogs barking, or sound like whistlers raining
down seemingly by the hundreds-per-minute (called a "whistler
storm"). Dawn Chorus generally results from hundreds of overlapping,
rapidly upward rising tones that can be continuous or appear in
bursts, called "chorus trains." These chorus trains
sound very fascinating-the bursts of chirps and squawks (risers)
seem to suddenly commence, and over the course of 2-5 seconds,
weaken and fade away, then repeat over again, often in different
pitches. During a chorus train, the sounds sometimes seem to be
echoing or reverberating back and forth until fewer and fewer
risers happen, then there may be a brief pause before the next
chorus train commences. Chorus trains also seem to be harmonically
related-a chorus train's center audio frequency may alternate
randomly, first centered on about 1 kHz, then another chorus train
will suddenly start up one octave higher at around 2 kHz, or maybe
4 kHz. Bursts of chorus trains happening at different octaves
can overlap in a truly beautiful sounding cacophony.
Dawn chorus can occur several times a month for listeners in middle latitudes during years of high
sunspot activity (1989-1993) after solar flares and/or coronal
mass ejections on the Sun send a barrage of charged particles
into the Earth's magnetic field, causing a geomagnetic storm and
also producing Aurora (the Northern and Southern Lights). In years
of low-sunspot counts and few solar flares (1994-1997), coronal
mass ejections from the Sun can still cause magnetic storms once
or twice a month.
Chorus doesn't always only occur at dawn, especially for listeners
who are located at higher latitudes, particularly in southern
and central Canada (50-55 degrees north latitude), Alaska, and
in northern Europe. At these higher latitudes closer to the auroral
zone, which is a ring (oval) surrounding the magnetic pole and
usually passing through central Alaska and through Canada at about
57-62 degrees north latitude, as well as northern Europe (Iceland,
northern Scotland & the Hebrides Islands, Scandinavia, etc.).
The auroral zone is source to a vast amount of natural VLF phenomena.
When a solar disturbance on the Sun (such as the aforementioned
solar flare or coronal hole mass ejection) sends highly charged
and high-speed particles and ions towards Earth via the Solar
Wind, Auroral displays often occur, and are visible to people
near the auroral zone oval. Earth's magnetic field also undergoes
a "storming" process as well, called a "magnetic
storm." During auroral displays, chorus is often heard, as
well as "hiss" of various pitches, "sliding-tone
emissions" which very eerily and weirdly rise in pitch slowly
over one to several seconds' duration. The chorus which occurs
during displays of Aurora is called "Auroral Chorus."
As such, both Auroral chorus and dawn chorus are related in that
they occur during magnetic storms. The more severe the magnetic
storm, the farther south away from the auroral zone and the louder
the chorus will be heard with the WR-3/3E. It is known that the
Auroral Zone "oval" surrounding the magnetic poles expands
during magnetic storms and reaches farther southward (and the
southern Auroral Zone "oval" in the southern hemisphere
expands farther northward). It has also been discovered that aurora
is a daytime phenomenon but is not visible to the naked eye due
to daylight illumination of the sky. Particularly intense events
of nighttime and dawn chorus can get very loud even for listeners
below 40 degrees north latitude (in the U.S.), and point to the
evidence that aurora can reach considerably southward into the
middle latitudes despite it not being visible.
The maximum intensity region of chorus emissions, like aurora,
can spread southward during magnetically disturbed periods. Daytime
aurora can sometimes be more intense than nighttime Aurora, and
events of auroral and dawn chorus can reveal quite an array of
information about the nature of aurora.
Nighttime auroral hiss (in at least a weak form) can be heard
well over half the nights a year for listeners in Alaska and central
and northern Canada along with a plethora of other phenomena,
particularly during active auroral displays around 10 p.m. to
2 a.m. local time. And these same locations good for auroral viewing
will also often experience wonderful dawn and daytime chorus which
will carry-on the entire day, peaking around noon local time and
gradually tapering off in the late afternoon. Good chorus events
are sometimes accompanied by whistlers that have an extraordinary
amount of "echoing"-10 or more echoes may be noted on
some whistlers and the echoes may blend into a coherent tone or
band of "hiss" which seems to be very slowly descending
in pitch. Other sounds such as "wavering-tone" or "whispering
wind" sounds may also be heard in addition to the phenomena
described above.
If you can see Aurora (Northern or Southern Lights) or the news
media is mentioning them, by all means listen for possibly interesting
and unusual whistler and/or hiss activity, which is likely occurring
along with the auroral displays - with great Chorus events to
follow the following morning and into the day - as is common at
higher latitudes.
Even if geo-magnetic conditions seem "quiet" and no
chorus events seem likely, conditions may still be very good for
whistlers to occur-determining when whistlers are going to happen
is still a rather unpredictable affair. More on this topic in
the following sections...
Geomagnetic storms (which result from solar flares and particularly
coronal-hole mass ejections, causing Aurora and VLF radio Chorus
as described earlier) are announced on short-wave time-standard
stations WWV in Colorado and WWVH in Kauai, Hawaii at 18 minutes
past each hour on WWV and 45 minutes past each hour on WWVH. Both
stations can be heard on 2.5, 5, 10, 15 MHz. WWV additionally
is on 20 MHz. During these "geo-alert" notices, the
A and K-indices are announced. These indicate the amount of magnetic
disturbance K of 0-1 = quiet, K of 2-3 = unsettled, K of 3-4 =
minor storm, K of 5-6 minor-major storm, K above 6 = major-severe
geo-magnetic storm. If the K-index is above 3, the A-index above
25, and they are saying the geomagnetic field is at "active,"
"minor storm" or "major storm" levels, odds
are that some form of natural emission is likely to be occurring
besides the ubiquitous sferics and tweeks.
Dawn chorus may also occur on mornings that seem to be having
only "active" or "unsettled" geo-magnetic
field conditions (K-indices from 2-3) according to WWV/WWVH, so
don't rule out times when the magnetic field is not "storming"
according to WWV/WWVH, since it MAY be storming at very high latitudes
and producing fine chorus emissions. Also, regarding whistlers,
they can be howling by the dozens-per-minute even though the A
& K-indices are seemingly "bottomed out" (say, A
= 7 and K = 0 or 1 which indicate "quiet" geo-magnetic
conditions), so the geo-magnetic indices give less clear of an
indication that whistlers may occur than of potential dawn chorus
or auroral chorus events.
Whistlers DO seem to be more common around the equinoxes of March
21 and September 21. As an alternative to the WWV and WWVH geo-alerts
at 18 or 45 minutes past each hour, a couple of computer bulletin
boards (BBS's) exist which supply detailed information on solar
activity and related phenomena. One of these BBS's, the "Solar-Terrestrial
Dispatch" (based in Stirling, Alberta, Canada) has aurora
and magnetic storm announcements, as well as weekly and monthly
reports of past activity, weekly predictions of future magnetic
conditions, and Aurora reports sent in by observers. The Solar-Terrestrial
Dispatch BBS can be reached at (403) 756-3008. Its parameters
are 300-2400 baud, 8, N, 1, full-duplex (echo-on). There is currently
no charge for basic services (besides long-distance phone charges),
but subscribers (for a small fee) get much more services as well
as access to special reports and software related to solar and
geo-magnetic observations. Alternatively, use their fantastic
Internet World-Wide Web site at this URL: http://solar.uleth.ca/solar/www/hourly.html.
The other popular BBS and Internet site is based at the Space
Environment Services office in Boulder, Colorado, U.S.A., and
supports 2400 baud, 8,N,1 parameters (the same as the Solar Terrestrial
Dispatch BBS mentioned above). The phone number for this free
BBS (you must register your name and address though) is (303)
497-5000. You can obtain a considerable amount of information
pertaining to Geo-magnetic and weather related phenomena. Better yet, they
also have a gopher URL: gopher://proton.sec.noaa.gov. This site's
text-only menu system can be viewed with any Web browser, is fairly easy
to navigate and has loads of information albeit possibly too technical in nature for many newcomers to natural VLF radio listening and "space weather" studies. There are also URL's given to get to additional text and graphical information via the Web.
Another fine NOAA-based web site is: http://www.ngdc.noaa.gov/stp/stp.htm This is the Solar-Terrestrial Physics Division Home Page
Finally, in addition to the NOAA and Canadian STD sites is the IPS Space and Radio Services out of Australia. They maintainn another fabulous web site at: http://www.ips.oz.au/ - IPS Australia Home Page (Solar-Terrestrial Research)
Statistically, the time between local midnight and an hour after
sunrise is when the greatest amounts of whistlers are heard, although
dusk to midnight may reveal substantial whistler activity, and
even (though not very often) loud whistlers may be heard a couple
of hours before sunset. Over the long term, the period from two
hours before sunrise until an hour after sunrise is the optimum
time to listen for natural VLF phenomena of all sorts, as the
amount of sferics (lightning stroke pops and crackling) are less
- natural VLF radio phenomena are not as "buried" under
the sferics as in the evening when lightning storms are more numerous.
Also, magnetospheric conditions are optimum around morning twilight
time.
Interestingly, between April 1996 and March 1997, I have been
hearing good whistler events during the DAYTIME and particularly
late afternoon before sunset! Many times these whistler events
die out after sunset. In early march 1997, whistlers started up
around 4 p.m.local time and were going in earnest (several-per-minute)
between 8 p.m. and 11 p.m. PST. This may be a solar-minimum phenomenon,
but it points out the need to listen as much as one can for whistlersand
at ANY time, as they occur when least expected. This recent late-afternoon
trend has not always been the usual case a few years ago and many
listeners got used to listening only near sunrise. Therefore,
whenever I am out hiking in areas even just a bit away from powerlines,
I bring along my WR-3E! (S .P. McGreevy)
While the pre-sunrise hours are generally the best time to listen
for whistlers and other phenomena, intense whistler events of
short duration can occur at any time between just before local
sunset through 1 to 2 hours after sunrise. A good whistler event
that is happening at 10 p.m. or even at SUNSET may not be occurring
later on that night at the usually optimal sunrise period, so
don't rule out the evening hours to listen, especially during
geo-magnetic storms.
On several mornings a month, one whistler a minute may be heard
on average, but as is often the case, whistlers will not be heard
at all. Occasionally during a geomagnetic storm caused by a solar
flare, over 100 whistlers a minute or more may be heard - called
a "whistler storm!" Whistlers may or may not have echoes
and they may be few and far between and very loud, or may occur
often but be quite weak. The sound characteristics, intensity,
and number of whistlers can change rapidly hour to hour. Everything
depends upon the sensitivity and conditions of Earth's magnetosphere
and the location of lightning storms and magnetospheric ducts
in relation to the WR-3/3E VLF Receiver user.
Whistlers are seldom heard midday, except during unusual conditions
occurring with a geo-magnetic storm or unusually strong electron
and proton output from the Sun impinging upon Earth's magnetosphere.
Unfortunately, on a good number of days during the year there
will not be any whistlers audible even though there is plenty
of lightning activity and sferics within a few hundred miles of
a listening location. Often elusive, whistlers may not be heard
for days or weeks at a time. Again, it is hard to predict when
whistlers are going to occur based on the geo-magnetic indices,
but they are generally more common in the spring and the fall,
surrounding the equinoxes and at sunrise, or more rarely, at sunset.
In North America, latitudes where the Northern Lights (Aurora
Borealis) are visible are excellent locations to hear whistlers,
loud Auroral and Dawn chorus, and a myriad of other Natural Radio
emissions when they are occurring. For instance, in the center
of the Canadian Provinces of Alberta through Ontario, chorus of
infinite variety is an almost daily occurrence, even when geo-magnetic
indices would seem to indicate listening would otherwise be "dead"
farther south! Spend a week or two in August,
say, in central Alberta and/or Manitoba, Canada (as I did in 1996)
or in central Alaska, and you too would be delighted and in awe
of the Natural Radio sounds heard each day...
For Europe, similar fabulous chorus listening locations would
be northern Norway and Finland; Iceland, and the northernmost parts of the British Isles.
For middle-latitude listeners, Dawn Chorus (as previously mentioned)
tends to peak in intensity between sunrise and one hour afterward,
but at high latitudes, can peak as late as noon or even in the
mid-afternoon, particularly if there is any geo-magnetic activity
(Kp index > 2) and can take on incredibly beautiful sounds.
Whistlers of intense strength can be heard across the middle and
southern-most United States and southern Europe and North Africa.
The latitudinal zone where the loudest whistlers are heard falls
roughly between 30-55 degrees north for North American listeners.
In the United States, statistically, the "northern tier states"
region is blessed with the highest number of whistlers and chorus
occurrences (Washington State, northern Idaho, Montana, North
Dakota, Minnesota, Wisconsin, Michigan, Pennsylvania, New York,
and New England. In Canada, the southern parts of British Columbia,
Alberta, Saskatchewan, Manitoba, Ontario, Quebec and the Atlantic
Maritime Provinces hear large amounts of whistlers and chorus. Throughout central Canada and Alaska, wonderfully strong chorus events lasting from morning to evening can occur, particularly in Feb. April and August - early October.
Strong events of chorus occurring at higher latitudes can be heard
into more southern latitudes too, albeit somewhat weaker and less
often. Everywhere, the lightning impulse "static" sounds
of sferics and tweeks from Earth's great number of electrical
storms abound. Elsewhere, southern Canada, all of Europe, especially
northern Europe and the British Isles, are good locations to listen
for both whistlers and chorus.
In the Southern Hemisphere, New Zealand, the Australian states
of Tasmania, Victoria, South Australia and parts of Antarctica
are also prime whistler monitoring regions, as would be locations
along a radius of about 3,000 mi./4800 km. radius around the southern
magnetic pole. Note that both the north and south magnetic poles
don't fall on the true geographic poles of the Earth but are several
hundred miles offset. The geographic coordinates of the north
magnetic pole is approx. 75 degrees north latitude by 100 degrees
west longitude. The south magnetic pole is approx. 67 degrees
south latitude by 155 degrees east longitude. Whistlers have been
reported in Saudi Arabia despite its southern geographic latitude.
In rare cases and very strong whistler events, whistlers can be heard even at the Equator.
Whistlers have also been observed by unmanned spacecraft passing
by the planets Jupiter and Saturn which also have considerable
electrical storm activity and very powerful magnetospheres.
In summary, the zone where the loudest chorus events occur is
higher in latitude than whistlers (please refer to the maps), and for North American listeners it is between 45-60 degrees north latitude. In some locations,
such as northern British Columbia or in Alaska, the whistler rate
is slightly lower than in places such as Washington state, Minnesota or
Maine, but Chorus will occur far more often in Alaska and in central
Canada than farther south.
Also, since we're just now beginning a new solar cycle (# 23 -
due to peak around 2000-01), increased sunspot/solar-activity
will mean the regions of good Chorus and whistler events will
start to move southward again. Places experiencing few Chorus
events will begin to hear more of it - and louder too. In a few
years, locations such as central California, Colorado, Virginia
in the U.S.; the central Europe; southern Australia and Africa
will hear chorus and other events which were, at the bottom of the solar-cycle
in 1996, heard only closer to the magnetic poles such as in Canada.
You shouldn't be discouraged if after several listening sessions,
whistlers, chorus, or other VLF phenomena sounds (besides lightning
sferics "static") are not immediately heard. Sooner
or later, you will be rewarded with a variety of fascinating sounds
from whatever VLF phenomena is occurring at the time you listen-as
though the times of not hearing anything are suddenly "made
up for" by a listening session filled with all types of beautiful
VLF radio sounds! As a reminder, weather and outside temperature
permitting, the period around local sunrise will be the most rewarding
time to listen. Natural VLF Radio signals can sound truly eerie
and awe-inspiring, especially when one realizes it is all naturally
occurring - not man made, and that these radio emissions have
been occurring for millennia.
The WR-3/3E VLF receiver should be operated well away-at the very
least 1/8 to 1/4 mile (300-600 metres)-from any 50/60 Hz A.C.
powerlines or structures that contain them, such as houses and
buildings, or else a "hum" sound from the A.C. powerline
frequency (and harmonics to well above 1 kHz) will dominate the
WR-3/3E receiver's output. This is because the alternating current
frequency of 60 Hz (50 Hz outside of North America, Hawaii, and
most of South America) carried by power lines also puts out harmonic
emissions every multiple of 50 or 60 Hz, and these power-line
harmonics can be easily received by the WR-3/3E. Locating a listening
spot 1/2 to 1 mile (800-1600 meters) away from power lines if
possible will probably eliminate most if not all "hum"
interference. The farther away you can locate away from electric
power lines, the less "hum" will cover the desired VLF
Natural Radio phenomena, especially the weaker and more subtle
ones.
Lower voltage underground power lines such as those within newer
residential neighborhoods may not be an annoyance at 1/4 mile/1000
meters away from them, however, high-tension/high-voltage power
lines in "utility corridors" can cause some hum even
2 to 3 mi./3 to 5 km distant in worst case situations. Powerline buzz
and hum presents the greatest obstacle to Natural Radio listening
for most listeners, and more-or-less eliminates "backyard"
listening, thus requiring some sort of "expedition"
to an electrically quiet location, which can often be quite challenging
but fun! The WR-3/3E is a great receiver to take with you on wilderness
trips, whether via car, boat or on foot.
It's also important to be in a clear, open place away from trees
by at least 50 yards/meters - a meadow, field, or open hilltop
is best. Trees act as electrical-field "short circuits"
at these low frequencies - the WR-3/3E VLF Receiver will lose
sensitivity as you get closer to trees and other obstacles. All
VLF signals will be attenuated almost completely if the WR-3/3E
is operated under trees, no matter how few of them are around.
Standing under a lone tree surrounded by miles of open space will
be little better than being deep in the woods - relocate away
from trees and be in the open. In short, AC power lines cause
annoying "hum" that masks all other signals and trees
reduce all the signals there are to hear, so it is best to locate
a listening site away from both of them. You need not seek the
highest location around to listen with the WR-3/3E, but if you
listen in deep valleys and canyons, signals will also be reduced
somewhat.
When using the WR-3/3E VLF Receiver, hold the whip antenna as
vertically as possible while grasping the aluminum enclosure,
whereby your body will act as a "ground." Additional
grounding can be accomplished by clip lead attached to one of
the screws on the aluminum enclosure of the WR-3/3E and to a 6-8
inch nail, stiff wire, or rod stuck into the soil where you use
the WR-3/3E, but this will not be necessary unless you tap
Natural VLF Radio Sound Descriptions:
Naturally-occurring VLF Radio sounds descriptions:
Man-made VLF emissions:
Omega: All of the recordings presented
on these 2 CD's have, to a greater or
lesser extent, a high-pitched "beeping" sound toward
the high-frequency end of audibility.
POCKET-PORTABLE WR-3 & WR-3E NATURAL VLF PHENOMENA RECEIVER LISTENING GUIDE
Text-only version - please see http://www.triax.com/vlfradio/wr3gde.htm for full version with images
LIGHTNING-STORM ATMOSPHERICS ("SFERICS") & TWEEKS:
NOT JUST MERE "STATIC"
WHISTLERS - Endless varieties...
MAGNETIC STORMS, AURORA, & THE BEAUTIFUL SOUNDS OF "CHORUS"
GEO-MAGNETIC STORM, AURORAL & SOLAR ACTIVITY REPORTS
WHEN TO LISTEN FOR NATURAL RADIO PHENOMENA AND WHERE IN THE
WORLD THEY OCCUR:
SUGGESTIONS ON FINDING A GOOD PLACE TO LISTEN: